Blankness (留白): Revisiting the Future of Nostalgia

Item

Title
Blankness (留白): Revisiting the Future of Nostalgia
Description
In the era of “Make America Great Again” and other populist movements, an increasing demand for fictions of nativity has marked the global zeitgeist. In fear of racial, national, or cultural identity disappearance, we eagerly look at the past, whether accurate or not, to enforce our modern-day personhood with a collective identity.

Urban appearance and iconicity supply our demand with nostalgia, upholding these fictions we so desire. But as the late Harvard philosopher Svetlana Boym warns, these architectures can either be used to innocently reflect upon history or sensationalized to stoke right-wing populism.

In Shanshui painting, the artistic technique of Liú Bái (留白—“leave blank”) is the compositional technique of synthesizing ink and blankness. “Blankness” in this context is a relative notion to the other presences on the rice paper canvas; it is not to be confused with absolute whiteness. Liú Bái affords a universality for viewers to subjectively interpret the blank in relation to the inked figures.

This thesis borrows from Liú Bái in hopes of capturing this subjective and nondeterministic quality to foster new collectives, identities, and communities on the test site of Queen's Road, Hong Kong. Until we depart from this paradigm of intense identity insecurity, Liú Bái aims to sidestep the over-determining gaze of the zeitgeist. What is proposed here is not a tabula-rasa emptiness, nor a laissez-faire conservation of as-found urban conditions, but something in between. Something that is intentionally “Liú Bái.”
Creator
CHAN, TOBY (YUNG TO)
Subject
blankness
hong kong
liu bai
nostalgia
populism
Queen's road
Architecture
Asian studies
Design
Contributor
Holder, Andrew
Date
2023-01-06T04:12:54Z
2023
2023-01-05
2023-03
2023-01-06T04:12:54Z
Type
Thesis or Dissertation
text
Format
application/pdf
application/pdf
Identifier
CHAN, TOBY (YUNG TO). 2022. Blankness (留白): Revisiting the Future of Nostalgia. Master's thesis, Harvard Graduate School of Design.
30244786
https://nrs.harvard.edu/URN-3:HUL.INSTREPOS:37373976
0000-0001-6058-6873
Language
en